Monday, May 8, 2017

Magneto (2014) #2

Magneto #2 (2014)
Writer: Cullen Bunn Artist: Gabriel Hernandez


Magneto is hunting down threats to mutantkind and trying to be a lethal protector (not unlike venom in his solo series). He searches for information on the sentinel from the last issue in a homeless community, which reminds him of the nazi ghettos. We get a really neat series of flashbacks to his childhood with gray scale coloring. The coloring and tone make these flashbacks resemble a black and white movie. The series, like I explained in my last review, is more standalone than anything else. It’s not connected to the greater x-men series going on but continues from right after the end of issue 1.


This magneto series is grim and violent, showcasing the villain’s ability for cruelty. In one scene he uses a pile of nails to take out a group of armed men who may be connected to the sentinels. The series is doing a really good job of both characterizing Magneto while also showing off a very dark and brutal side to him. This is the kind of thing that makes villain comics worth reading. Magneto even affirms that he is a monster because he is willing to treat people with the same cruelty that the nazis did.


Keep in mind I am not trying to say magneto is a nazi now! This has become such a fad around the internet lately, saying marvel is making Jewish characters into nazis. He says himself that he has become evil and is using their methods! Of course, he’s not a literal nazi, that would make no sense!


There’s also a sub-plot showing that magneto has a fan following now. They have shirts that say “Magneto was right” which I’m pretty sure is some kind of meme. Not sure where that will go, but it’s an interesting idea for sure.

Overall I’d continue to give this series a 10/10. It feels like a solid story that has great dramatic moments as well as solid artwork that has very few errors. It hasn’t disappointed me yet.

Friday, May 5, 2017

X-Men #5 (2013)

X-men (2013) #5 [May 5 2017]
Battle of the Atom Part 3
Written by: Brian Wood and Art by David Lopez

X-men #5 continues the Battle of the Atom event while having some focus on the theme of this volume of X-Men (Female x-men...x-women? Whatever, you get the point). We get some commentary on the situation by Rachel Summers, who is also from the future but disagrees with the future X-men who want to capture the time-displaced Jean and Scott. She helps the young jean and Scott to escape and find refuge with...the present ’Uncanny X-Men’ rogue team. Now the past Cyclops will meet the present Cyclops and his allies again for help. This was the whole point of All New X-men from the start, after all.

I actually think this is a great way to tie the books together while continuing the ongoing narrative of the crossover. For reference, the next book in the crossover is Uncanny X-men, which follows Cyclops’ team. It is kind of forcing the plot to follow the sequence of books, but it’s not a bad way to handle tie-ins (having the characters move from one team to another). There is a nice flow and pace to the story in general. Some people would argue that the crossover took away from the female-led x-men book by forcing this crossover story into it, but I feel like the focus of this book (the female x-men) still had an impact on the crossover. It’s better than completely ignoring those characters altogether when they are meant to be the focus of this book that happens to be crossing over.
We find out future Jean Grey wears the Xorn mask to contain her powers and that future Xavier uses inbuilt Cerebro tech to track mutants. It’s interesting to see these bits of x-men tech be re-appropriated in different ways.

It should also be noted that Bendis wrote the first two issues whereas Brian Wood writes this issue since he regularly writes this series. If that’s better or worse will depend on your opinion of Bendis’ writing.

The character focus that Wood provides is really nice, especially for scenes that show the dynamic between Scott and Jean. Drawing from the original nostalgic timeline, it’s important to remember that they eventually became a couple for a reason, and seeing them being forced to reevaluate their lives based on future knowledge is interesting. How would you feel as a teenager if you knew you were hanging out with your future wife (who would later die twice!). As they point out in the issue, it’s a big complication for the young x-men.   

Besides some cool moments (Like jubilee making the comment about having to adapt to having a child) nothing stood out to me as being super impressive, but I didn’t really hate the issue either It’s slightly above average.

Score: 6.8/10

Tuesday, November 29, 2016

All New X-men #16

Review Date: 5/13/16
All New X-men #16 (2013)
Battle of the Atom Part 2
Written by Brian Bendis and Art by Stuart Immonen
So we continue with the insane time-travel shenanigans. It wasn’t bad enough that have X-men coming from the past, now they coming back from the future to prevent the present events from happening. The cover looks like a mess to me, all the future characters are scattered around and out of focus and the monstrous Iceman. (“Is that thing supposed to be Iceman?”. I also guessed which one was Deadpool just based on the red outfit and the katanas) It’s a bit too convoluted, and I guess if I zoom in I can see a bit more detail...but it still seems sketchy to me. I don’t hate the cover, I just don’t like it. I actually enjoy the Immonen variant a lot better, but I could say that for a lot of variant covers. 2/5 for me, now let’s move on to the story.

We start with Scott’s team watching the giant sentinels attack from the last issues.Christopher, one of the new X-men who functions as a healer is freaked out by the fact that he brought Cyclops back from being nearly dead...and complains that the x-men are probably so used to being brought back to life that it wouldn’t seem strange to them. It’s an interesting meta-commentary on how much these comics disregard blurring the line between life and death like it’s completely normal. Meanwhile, Future!Deadpool informs the x-men that they are the x-men from the future. I love how the Icemen (because remember, there’s two of them…) has the same reaction to future-iceman that I had. Xavier from the future pops in to explain that he needs to prevent what happened with the time travel in order to help live up to his father. So, your idea to prevent the time-problems was to travel back to the past? I guess that might work...it worked in Days of Future Past, so why not now? (I’m not sure why he says 'grandpa' if Xavier is his father, but maybe it’s a typo). Again, Iceman echoes my sentiment in saying that it’s very irresponsible for them to just travel back in time. Future Kitty gets to hug wolverine, which is very charming. Then Deadpool shoves her out of the way and smooches him, which is hilarious.

Molly Hayes introduces herself as one of the former Runaways, and Wolverine doesn't really care to recognize her. Eventually, Wolverine starts a fight and chaos ensues. Though, he’s quick to point out that somebody was controlling him. We pull back to Jean becoming paranoid about the future x-men and starting the fight in order to escape them. The pair escape in the Blackbird and fly off to who knows where while the present and future watch. Jean finally starts to vent that she doesn't want to go back because she knows that the past professor will erase her memories...and she doesn't want to lose them. The focus shifts back to the Xorn looking person who is with the future X-men. Rachel points out that Xorn (Magneto) killed jean at the school. Then, this Xorn reveals that they are actually Future Jean Grey...who is now trying to stop her younger self. As someone who read the first part of Morrison’s run, I actually like the Xorn mask despite all the goofy plot twists that have gone with it. Next up in the order is X-men #5 (Which means I’ll probably end up reading 1-4, being the completist that I am).

Overall, I actually thought the issue was pretty solid. We get a few good character moments, the art is consistent and does a good job of capturing the characters [I’ve always been a fan of Immonen’s art throughout the series.]. I don’t think I would ask for much more here, this issue is a solid 8/10. I would rate it higher, but I’m not a fan of time-travel stories and I’ve already complained about how some of it doesn't sit right with me. Either way, now we move to the X-men series to see how the event continues. So far I’d say it’s a decent start.

Saturday, May 7, 2016

All New X-Factor #1 (2014)

[Written on 12/26/14]
All New X-Factor #1 By Peter David and art by Carmine-Di-Giandomenico

Peter David is a writer that has been off my radar. I’ve heard his name come up when it comes to his Hulk run, but he also did a run on X-Factor. Before this, X-Factor was established as a mutant detective agency that recently closed down. Now this All-New series starts with a fresh version of the team after the team closed shop earlier before Marvel Now [In November 2013].

In a recent interview on CBR, David said the series would be ending around #20, so I wanted to hurry up and see if it was worth reading the run or not. The only series of X-Factor I read was the first essentials volume [vol.1 #1-16].

Gambit is seen diving through a laser web like the sneaky thief he is. The last time he was seen was in his own 2012 solo series, which I was planning on reading at some point. Wolverine shows up and stops his attempt at robbing an artifact (and this was before Wolverine was about to die too, since that wasn’t until later in the year in out-of-comic time).

Logan scolds him and points out that he’s a teacher at the Jean Grey school now, and that he needs to straighten up and stop working with the Thieves Guild. Gambit goes to a bar to drink off all of Logan’s nagging when he sees Polaris. She was a magnetic mutant featured in X-Factor and Legacy and had a noted relationship with Gambit. They fly on a Serval Industries jet, and Polaris tells him they are a new organization that works with everything from search engines to weapons research.

They enter the very smoothly designed building, and the woman on the top floor tells them that they will be forming a new corporate X-Factor team. Gambit also meets the CEO Harrison Snow, who admits he isn’t very much interested in weapons as much as someone like Tony Stark. However, he says he bought the X-Factor name from Madrox and plans to turn it into the first corporate superhero team. I think this concept has been done in DC comics before, but I don’t think it’s a very good idea. Though, in DC I’m pretty sure I’m thinking of the government owned teams like Suicide Squad, not exactly a corporation. Is this corporation going to be responsible for all the damage these heroes cause? Are the heroes going to be paid? There’s a lot of strange questions that are probably going to be answered...or just brushed aside. Regardless, I’m not sure I like the idea of sponsored superheroes. Government operatives like SHIELD make sense, but for a private corporation it just seems like an unnecessary risk.

Quicksilver is suddenly introduced as another member of the group, but he doesn't exactly make it any easier for everyone to trust this whole idea.  Pietro also mentions that for some reason (not shown within the comics themselves, unless I missed something within Avengers) that he has broken away from the Avengers and wanted to join X-Factor like he had in the past. The CEO then explains that he is tasking them with shutting down a scientist who is doing mutant research for a group related to AIM. The three easily break into the facility, but the mutant who is currently being experimented on is another former X-Factor mutant named Fatale. The last time she was seen, she was reported as missing (since 2007 in out of comic time, so it’s been awhile since she’s been active) after losing her powers (on M-Day) and then gaining them back again (during Terrigenesis...which is strange because based on what I heard the Terrigen Mists are causing mutants to get sick nowadays...rather than giving them powers). For reference, her original powers were light manipulation, but that’s not mentioned or shown in this issue.

Overall, I really liked this issue, and the art was a real joy to look at. The dialogue, especially from 
Gambit, is really well handled and for the most part I thought this book was really good. A 8/10. If I knew more about these characters from the old X-Factor, It probably would be more of a 9/10 for me. Hopefully I’ll be able to learn more about Fatale and Polaris through recaps or throughout the next few issues. I like seeing Quicksilver being able to get in the spotlight more (something he really deserves) and being on a smaller team helps him do that, whereas I don’t remember him being very active in other books like Avengers or X-men (at least recently). The same thing could be said for Gambit. The two of them alone could sell the book for me. This doesn't subtract from the score at all, but the cover doesn't really grab me. It’s not bad art actually, the style just seems kind of awkward to me...in a bad way. There’s nothing wrong with the colorful deco style, it’s just not something I like. A nice touch is that they added the company logo to the cover...is this supposed to represent like an in-universe advertisement? The colors themselves really do pop nicely though and that makes the cover at least a 2.5/5.

Sunday, May 1, 2016

Moon Knight #1 [2014]


Moon Knight Vol.5 #1 (March 2014)
Written by Warren Ellis, Art by Declan Shalvey
While it may seem weird that I’m going to be reviewing Moon Knight #1 from two years ago while the newer edition for All New All Different Marvel is already out, I do have my reasons. This issue was my first exposure to Moon Knight beyond the Moon Knight Saga recap book (2009). I also own one issue from the original Moon Knight Series, but I didn’t understand who Moon Knight was until much later. For some background, most of the modern moon knight series follows up on Bendis’ run from 2011 where Moon Knight’s psychotic tendencies are really put on full display. The series following, including the 2016 series, further explore the psychological side to Moon Knight, adding in more hallucinatory sequences and explanations for why he is having his breakdowns.
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I normally start with the cover, and I think this one is pretty good. Moon Knight’s face, large and intimidating, in white while the logo (a moon shape used for the 2nd O in the title) is shown underneath in black. It’s a simple, but effective cover. I’d give it a 7.5/10. It’s a good cover for an introductory issue for sure.
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The new series begins with Moon Knight returning to new york after moving over to LA. It is really annoying to me when some of these heroes will randomly move over to the east coast. In his last series, under Bendis, Moon Knight “spoke” to and used gadgets based on Cap, Wolverine, and Spidey...but it seems like he’s moved on from that phase. He’s quite aware now himself that something must be wrong with his head. The moon God Khonshu has four aspects, and Marc has always had four personalities at some point, including either moon knight or himself alongside others. He likes to wear white so that people will see him coming, wow, that’s pretty badass. At this point he’s working alongside the police and I now see why people compare him to Batman. Speaking of being a detective, Mr. Knight figures that a local killer is hiding underground...so, being crazy, he decides to go down after him. After he defeats a ex-soldier, we see that before returning to New York, Marc tried to get some counseling. Here we receive a more in-depth explanation that puts Marc’s multiple personalities into a more supernatural mold rather than just a simple psychological evaluation like DID. The issue ends with Marc literally sitting down to face his other personalities.
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The issue itself packs in a great introduction, and the fantastic colors + art really sell the book with this sharp sort of horrific style that really gives the entire thing a smooth feel while also being very grim at points (with images of shadow and skulls, sometimes blood and guts). It’s a very visceral book and I look forward to seeing what comes next now that the character has been firmly re-introduced. I hope to follow this character through this series and beyond into his newer series as well.
The entire book is easily a 9/10 for me. Very few flaws if any and a great start, but it’s not a masterpiece.